The wow and flutter settings make for a brilliant addition especially on sounds like guitars, strings and pads to create an organic tremolo effect. 7.5 used sparsely on low toms, claps, snares and other percussive or low/ low mid material gives the desired effect.Since tape by its very nature applies a gradual cut on the extreme highs and on the lows, placing the same after a delay in a chain can sometimes lead to a more closed off sound, which may or may not be what you desire. From right to left, the 815 is an emulation of tape from a more recent time frame while the 811 and 888 are based on more classic tape types.ĭriving the input control further on the plugin will start to give you a more saturated sound which can be a great tool for gluing your drums together, the output/input link option allows you to have the desired effect without driving the overall volume up and acts as a makeup gain knob would on a compressor.Whilst the tape speed on 7.5 I.P.S(Inches Per Second) brings out the low end in the overall sound, 15 I.P.S brings out the highs more distinctly and is what I’d generally go to for taming hats, shakers and other percussions in the region.
The J 37 is a tape emulation/ saturation plugin with three different types of tape, the 815 formula gives you a replication of the sound which is closer to the original sound yet provides for the sonic warmth you’d expect from tape, going down to the 811 and the 888 formulas you get a more distorted colouring of the sound. The choices at bay are almost limitless and hence we’ve compiled our five most essential plugins to help you navigate through the maze. The Waves Audio plugins bundle, offers an almost intimidating amount of compressors, saturators, tape emulations, equalisers, and pretty much every audio processing device, with surgical precision.
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